Selected Bibliography

for the workshop: Encounters with the live art document
February 5, 2007 University of Central Lancashire, Preston, UK.
___________________________________

Auslander,Philip. The Performativity of Performance Documentation. PAJ 84 (2006) pp.1-10.

Jones, Amelia. “Presence” in Absentia: Experiencing Performance as Documentation. Art Journal, Vol. 56, No. 4, Performance Art: (Some) Theory and (Selected) Practice at the End of This Century. (Winter, 1997), pp.11-18.

Granger, Stewart. “Digital preservation & emulation: from theory to practice.” 289-96, in ICHIM01: international cultural heritage informatics meeting: cultural heritage and technologies in the third millenium. Vol. 2 David Bearman and Franca Garzotto, eds. Pittsburgh: Archives & Museum Informatics; Milano: Politecnico di Milano, 2001. Available at: http://www.leeds.ac.uk/cedars/pubconf/papers/ichim01SG.html

Laurenson, Pip. “The conservation and documentation of video art,” 263-271, in Modern art: who cares?. IJsbrand Hummelen and Dionne Sillé, eds. Amsterdam: The Foundation for the Conservation of Modern Art: Netherlands Institute for Cultural Heritage, 1999.
Access: http://www.incca.org/Dir003/incca/cmt/text.nsf/0/06aee06d030db4a7c1256e450036c7

Sterling, Bruce. “Digital Decay [Décomposition numérique].” Permanence through change: the variable media approach [L’approche des médias variables : la permanence par le changement]. Alain Depocas, Jon Ippolito and Caitlin Jones, eds. Montréal: Daniel Langlois Foundation for Art, Science, and Technology; New York: Solomon R. Guggenheim Museum, 2003. [ref. May 22, 2003]. Available on the Internet : http://www.variablemedia.net/pdf/Sterling.pdf

“The Decision-making Model for the Conservation of Modern Art” (SBMK) during the project ‘Conservation of Modern Art’ (1996-97). (Reference: 3 October 2005) Access: http://www.incca.org/dir003/incca/cmt/text.nsf/0/3bd096d3c248026bc1256af0004a6e8a/$FILE/Decision-making%20Model.pdf

International Network for the conservation of contemporary art:
Outlines for how to work with artists, ethics:
http://www.incca.org/

DOCAM ( The Daniel Langlois Foundation research centre for conservation of media).
http://www.docam.ca